A great opening riff has you anticipating where the song is gonna go next. Despite the songs original sound, it falls short of the majority of songs on Garage, Inc. About halfway through it changes into a nice galloping riff. This is a pretty good song and differs from any other one on this disc. Followed by a riff that forces you to just start banging your head. Starts off with a creepy "horror movie" like guitar piece with a great beat by Lars. Lars' drumming sounds punkish and the song has a few blinding fast riffs. James cuts that down to a simplier and more catchy amount. Listening to the original, I always got annoyed by King Diamond singing "Helpless" a million times during the chorus. Another great cover of Diamond Head by Metallica. It has one good riff in it, but everything from Lar's drumming to Hetfields voice is pretty bland. The song almost seems too busy with so many layers of guitar and vocals. Unlike all the previous songs, they dont improve on the original in any way. They brought in a few friends, such as Les Claypool, to perform this song. The Metallica version falls short though. Originally written by Lynyrd Skynyrd, this song is a masterpiece. Ok when I first learned that Metallica was covering this song, I got very excited. A nice catchy lead riff accompanied by the strange chorus, makes this a really good tune. You wont really find another song that sounds like this one. Thin Lizzy did a cover of it a while back and laid down the main riffs to the song. Probably because it is an old irish song written but the Dubliners. While its a great song, its not THAT great of a song. A lot of people know Metallica by this song. 3/5įor some reason everyone seems to love this song. The song's layout is sort of similar to Loverman's as well.
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Still a better song than Loverman and Free Speech for the Dumb. Metallica really didnt improve much upon the original which was done by Blue Oyster Cult. Nothing stands out too much about this song. This is a nice soothing song with a great verse melody. For those of you who havent heard any Mercyful Fate yet, check out some of their songs and you'll know what I mean. Hetfield really shows you what a great voice can do for these songs. With great riffs, nice lyrics and a catchy melody, you can't wait for this part of the song to begin. The highlight song of the medley is "The Curse of the Pharoah". The song is a medley of a few of Mercyful Fate's songs. This song is basically just 11 minutes of metal in its purest form.
3/5Īh yes, finally some good old fashioned METAL! This song blasts out of no where with a face melting solo (haha) and awesome powerchord riffs. Nothing really stands out about this track though. Although the lyrics are quite cheesy, the song builds up from calm to very loud. Not quite as good as the last few songs, Loverman still holds its own as a decent song. After only a couple minutes the song is over but leaving you thirsty for more. Maybe its just the recording quality, but Metallica's version is much more explosive. I personally enjoy this version more than the Misfits. This is a great song for getting your aggression out. 4/5īegins with a high hat 8 count and explodes into heavy riffs and pissed off lyrics. Since the song is relatively simple with only about 3 powerchords, the song really lets Hetfields voice shine. Metallica's version is done with heavy powerchords, the lead guitar replacing the saxophone, and an upbeat not as depressing mood. The original song which was written by Bob Seger was done with a quiet clean guitar, saxophone, and a general calm and depressing mood.
This was one of the singles from the album. Awesome song, really shows how genius both Black Sabbath and Metallica are. After a couple minutes of A National Acrobat its back to Sabbra Cadabra for the end of the song. With bluesy riffs, dark lyrics, and plenty of the wah pedal. This song is far different from the first. After a couple minutes of Sabbra Cadabra, Metallica switches it up to A National Acrobat. Hetfields voice is at its best during this one. Extremely catchy and non cliche for a love song. After that the lead guitar explodes into an awesome lead which leads us into the very. The song starts off with a very catchy classic rock riff followed by a montouge of wah. This song is actually a medly of the Black Sabbath songs Sabbra Cadabra and A National Acrobat. The chorus isnt very catchy, but who cares, this is rock, not pop. The vocal melody in the verse is very catchy and will have you singing it for days. Heavy powerchords mixed with Hetfields voice makes this song a great driving song. This is an awesome "feel good" rock song. The song starts off with a bang but never delivers. For such a great album, this is a very weak intro.
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